DMOARTS group show “In between” at SkiiMa Gallery
DMOARTS is pleased to present "In between," an exhibition by eight artists at SkiiMa Gallery in Shinsaibashi PARCO.
An exhibition organized by DMOARTS, an FM802/FM COCOLO art gallery that continues to introduce artists from Osaka to the world. The venue, SkiiMa Gallery, is located in the Shinsaibashi PARCO commercial facility and has a working space as well as a gallery. In line with the characteristics of the venue, which has various "faces," we will introduce the works of eight artists in a group show format, combining two-dimensional works such as paintings and drawings, as well as three-dimensional works.
The art you like, where you like it.
Why not start with SkiiMa Gallery to make artwork more approachable and enrich your life?
3/20(Sat) - 4/5(Mon)
Business hours 10:00 - 20:00 (last day closes at 18:00)
Shinsaibashi PARCO 4F, 1-8-3 Shinsaibashi-suji, Chuo-ku, Osaka 542-0085, Japan
*Exhibited works are available for purchase through the online site.
Contact us → https://dmoarts.com/onlineshop/
Born in Tokyo in 1985. Spent his childhood in Dusseldorf, Germany.
Graduated from Azabu Gakuen and Tama Art University, Department of Design, Faculty of Art and Design.
He joined Enlightenment in 2012 and became independent. Belongs to Chikabi.
Aiming to create visual paintings, he creates paintings based on the themes of time, projection, and memory.
Born in Kyoto and currently lives in Osaka. Graduated from Doshisha University, Faculty of Letters, Department of Aesthetics and Art.
While shooting advertisements and magazines as a commercial photographer, he began creating works as his own lifework in 2011.
His conceptual works are mainly based on the idea of touching the gray zone between the two extremes of "existence/non-existence".
In recent years, he has not limited himself to photography, but has also created three-dimensional works, drawings, and installations. When he won the Grand Prix at UNKNOWN ASIA 2018, he combined photographs with neon lights and presented a work that actually lit up with blue light.
Born in Nagano, Japan in 1993, he completed his master's degree in painting at Kyoto University of Art and Design in 2017.
Painter living in Kyoto. He is active in a wide range of activities, exhibiting his works in galleries and installing them in offices around the Kansai region.
Recent major exhibitions include The eyes:They see (2019, DMOARTS Gallery, Osaka), Art & Patisserie Sakiki Matsumura exhibition (2020, InterContinental Hotel Osaka Patisserie STERESSED, Osaka), Sakiki Matsumura solo exhibition - see saw scene -ARTISTS' FAIR KYOTO SATELLITE 2021 (Ygion, Kyoto). Commissioned work includes installation of artworks in Mitsubishi Estate Kansai Branch OAP Tower Office, Universal Music Japan, and Chishima Land Corporation offices, as well as participation in numerous art fairs such as Art Osaka, UNKNOWN ASIA 2019, and ART TAIPEI 2020.
Using multiple techniques such as acrylic painting and silkscreening, his paintings have a complex layered and three-dimensional feel that also expands the imagination to multidimensional landscapes and sensations that cannot be perceived in the real world landscape.
instagram, twitter @sakimatsumura_
1993. Born in Hyogo Prefecture.
Graduated from Kyoto Seika University, Faculty of Design. Lives and works in Kyoto.
His work centers on black-and-white ink drawings based on associations and imaginings from old magazines, photographs he has taken himself, and his own personal experiences.
He also sells original items incorporating his works and provides illustrations for CD jackets and other items.
2018.5/Aquvii Daikanyama Solo exhibition『Ryusei Maeda solo exhibition』
2019.6/excube osaka Solo exhibition『STRANGE TOWN』
Participated in several other group exhibitions.
Born in 1994 in Hokkaido, graduated from Yokohama College of Art in 2017. Based in Kanagawa, Japan.
Major exhibitions include a solo show "Floating Forms" at ANAGRA (2019) and a solo show "Unknown Forms" at KYOTO ART HOSTEL kumagusuku (2020).
I make three-dimensional works inspired by the lines and shapes of the doodles I keep drawing day in and day out.
By creating intuitively, without a single motif, we can create a new style of design.
The immeasurable memories within me mingle and
I feel that it appears in this form. It is somewhat nostalgic, but
We cannot say for sure that it is something, but it is a new form that we know and do not know.
Tokyo-based illustrator, born 1996 in Kagawa, Japan, graduated from Kyoto Seika University Graphic Design Course in 2019. Works with crayons and colored pencils.
His work focuses on advertising and packaging with an expression that intuitively captures the background and atmosphere of the motifs, such as plants and objects.
He won the Yuri Uenishi Encouragement Prize in the 21st 1_WALL Graphic Division, was selected for the 45th Mitsubishi Corporation Art Gate Program, and participated in UNKNOWN ASIA 2020 ONLINE.
Major work includes: THE NORTH FACE 2019AW campaign #SHE MOVES MOUNTAINS illustration, rooms shop Lumine Shinjuku 2 2019 Christmas catalog & in-store display, Kyoto Music Expo 2017 organized by Kururi, design of the big fish flag on stage, and illustration for SUCC PAPER under the supervision of Hiroshi Fujiwara.
A solo exhibition is scheduled for May 2021 at Shinjuku Ophthalmology Gallery in Tokyo.
Born in 1996 in Thailand. He produces ceramic works and installations using them. Through his ceramic works, he refers to the relationship between "craft and art" with the aim of clarifying the multifaceted form of contemporary crafts. In the "ghost" series, he uses "cracking" as a decorative technique derived from modeling, extracting only the use from the vessels to create an ambivalent expression between the two sides of the same coin, such as "the representation of use and modeling. His major solo exhibitions include "Sinking into the Lake" (KITAHAMA N gallery, Osaka, 2020), and group exhibitions he has participated in include "ART OSAKA 2019", "Artist's Fair Kyoto 2020", and "A Day to Meet Contemporary Art at hotel koe tokyo" (Shibuya, Tokyo, 2020), and "CNNECT" (Fujii Daimaru, Kyoto, 2021).
1997 Born in Tokyo
2016 B.F.A. in Oil Painting, Tama Art University
2021 Graduate School of Kyoto University of Arts
The act of "reproduction" brings about a "gap". Even though an object is traced as it is, there is a subtle "gap" in the tracing, and even though it looks the same, it has already been transformed into something else (the change that occurs when the image is reconstructed by transforming it into light and shadow, or the physicality of the person making the reproduction, coincidence, etc.). This kind of "misalignment" also occurs when we communicate with others. Although we simply want to convey our thoughts to the other person in words, it is rare that our thoughts are conveyed in a straightforward manner. Understanding is always the sum of misunderstandings, and there is always something like a vague "membrane" that exists. I try to visualize such a "membrane," that is, the impossibility and incompleteness of communication, by borrowing it temporarily into a work that contains the "gap" created by the act of "reproduction. This is one of my creative concepts.
yusuke akai (paragram)